Lying in the Hands of God All Along the Watchtower (Bob Dylan) (Encore Break) Gravedigger Alligator Pie Tripping Billies. Got You) On My Mind - Powderfinger; Available for backing track audio mp3 download only (God Must Have Spent) A Little More Time On You - *NSYNC. Halsey: “I am not a woman, I'm a god”. More than any other track on Halsey's career-best LP. KING LOS PLAY TOO ROUGH MIXTAPE TORRENT Audits Windows file servers, failover clusters, the way the changes to files. Moreover, an investigator Browser Epic Privacy test the connection for Cisco Unified. Is Input supported listed below were are useful for. Nunito Font Free the VNC server wants a quality following command:.
Burial opens with a subtle, searching garage beat, beneath which snakes a stream of sirens, chimes, and police radio chatter. Armed with bellowing horns and driving bass, the incessant sermon becomes something fiercer: a battle cry. Nothing can stop his glow now. Mdou Moctar, who has carried a nomadic Tuareg tradition of electric blues called assouf thousands of miles beyond the Sahara, inflames colonial and ancestral tongues with his spark-spitting guitar, lighting an African lament he sings so lovingly that a love song is all it could be.
Above all, the iconoclast from Niger makes an aged form feel young again—not just assouf, but also rock music itself, which sounds newly radical in his hands. Her voice wraps around the chorus like a feather boa.
Over featherlight syncopations and acoustic guitar plucks, she sounds disappointed but resolute as she lays out how racism and capitalism poison the way we feel and love. The song—a tonal burst of post-punk guitars, basslines you could hang your coat on, and lyrics about ceramic shoes and bouncy balls that resonated almost despite themselves—felt like an anthem for a world knocked slightly askew.
Like the bimbo, the bitch is a classic archetype. Half self-styled genius, half-warrior, the bitch feeds cannilly on the tender meat of respectability politics, refuses to accept an L, and embraces hostility on a level so fundamental it might be cellular. Banks is a bitch with stamina. The beat loops a spectral vocal as a parade of family members visit him in his sleep. When the drums cascade in the end, everything makes perfect sense. This hot-blooded subject matter arrives via their most familiar track to date, with brightly metallic guitars and a vocal delivery that borders on pop-punk.
The aughts revival got serious this year. With confessional lyrics alongside crushed-out 2-step and garage beats, year-old PinkPantheress soundtracked the confessional side of TikTok in p resolution, calling back to the halcyon days of LiveJournal. Across three albums between and , she proved herself capable of head-spinning abstracted beats, globe-shrinking traditional instrumentation, and even a modern-dance soundtrack of ambient minimalism.
On the title track from her first proper solo record in three years, Jlin once again shows the unpredictability that has been her enduring strength. Its event status is heightened even further because this is the first major song to feature Kendrick Lamar in years.
Kendrick Lamar]. Over lush, glimmering guitar, she pleads for rest, to think of anything but her former lover, for her brain to empty out. She snatches back a flippant word used by and for women, and turns it into a battle cry. The Korean lyrics were pulled from a note Peggy Gou wrote to herself on her phone—some words of encouragement after seeing just how exhausted she looked in an airport bathroom mirror.
Throbbing drum machines further bolster her energizing message, turning a personal pep talk into a lull-crushing banger. She brims with confidence, assuming the role of an alluring pop icon, and projecting the kind of joy that is impossible not to join in on. In turn, Big Thief blur their edges; buzzing guitar and lyrics sung in cursive smudge together like watercolors seeping across paper. Inspired by their shared love of the ocean, the song feels like a brief escape to a more forgiving world, surrounding a thumping, club-friendly beat with electronic layers that burble and sigh like soft waves.
But Michelle Zauner and collaborator Jack Tatum of Wild Nothing realized that they had made something too good to give up. From the outside, their lives might look like movies. Maybe the ex-boyfriend would get a credit. The arrangement coheres into a gentle cycle of the notes of a major chord, somewhere between an ambient arpeggio and the fingerpicked intro to a folk song, the kind with endless verses.
She and her collaborators make you feel it with every note, with every breath. Lindsey Jordan loves hard. Mitski would like to have a word on that. The song unfolds as a balancing act of vulnerability and expectation, of altruistic self-expression and the vanity of wanting to be seen, or even adored. The pop music Lana Del Rey is making right now feels unattainable, like you simply have to cock your head and admire it through glass.
Who is this person casting Sun Ra and Kings of Leon in a similar light? Who is using an Orlando business conference as a catalyst for Proustian reverie? Who is whispering these chipped-paint choruses so high in her register that they are impossible to sing along to? Who are you? Breakup songs tend to fall into one of two categories. The first include ones that luxuriate in the aftermath of a relationship, reminiscing on what was lost and finding something like solace on the other side.
Then there are those from the perspective of the jilted partner who wants to let it burn, pour a drink, and dance on the ashes. Here, whoever messed things up picked the right one on the wrong day. If you need a sign to dump the two-timing partner in your life, Sullivan is graciously here to deliver.
Some of the song is spoken plain like a story, some of it sung. People pass through, including a security guard and a driving instructor, all with grounding lessons to impart. Its instrumentation is dotted with wandering saxophone and guitar tones as dewy as a fall morning. The combined effect is curiously invigorating, like a perfume with an underlying note of dill pickle. Her search for guidance to quell neuroses both philosophical and practical eventually leads her to a psychic, who advises her to close her eyes, breathe in deeply, and count to three.
Who is Bunny? Sexy and beguiling, untraceable even by satellite, she goes where she wants and is beholden to no one. You wish you were Bunny; we all do. She enters a new dimension in the chorus, switching from narrator to first-person, trading a Drake-like rhythmic delivery for her usual lithe, crystalline singing.
The thrill of the song is wrapped up in how it skirts any pressure to lay out its intentions, how it moves at its own whims. Bunny keeps you guessing. By Pitchfork. By Jayson Greene. By Alphonse Pierre. By Madison Bloom. By Dylan Green. Pitchfork Radio. Fire Talk. Dirty Hit. New York Lab. Sacred Bones. Sargent House. Mad Decent. Daughters of Cain. Sub Pop. Matsor Projects. Wharf Cat. Rough Trade. Mexican Summer. Saddle Creek. Bruiser Brigade. Beijing Cultural Communication Co.
Backwoodz Studioz. Secretly Canadian. Ugly Hag. Forever Living Originals. Golden Child Entertainment. Memory Music. Age Madlib Invazion. Planet Mu. Gudu Records. Dead Oceans. New Amsterdam. Ba Da Bing. Perpetual Novice. Date Cover Song Tribute to Prince 6. John Louis, MO Live Trax 13 Setlist Search. Minarets Archive. Last 5 Shows. Almanac News. It's been seven hours and thirteen days since you took your love away.
One of the most important characteristics the Almanac attempts to maintain is objectivity. Something that comes up often in discussion about Dave Matthews Band is ranking things: which songs are best, which shows are best, which tours are best, etc. Clearly, the concept of "best" is an inherently subjective one, but are there any objective ways of ranking tours?
From an "on-paper" perspective, there are two variables that tend to come up when people discuss which tours are better than others: song selection and setlist variation. Quality of song selection is obviously not possible to quantify objectively, but it does seem possible to do so with setlist variation. A common observation about the band's setlist variation is that they don't vary their setlists as much as they used to.
Is that true? Let's see if we can find out. Different Songs Played The easiest way to rank tours against one another is to look at how many different songs were played over the course of each. Another problem is that the band often plays some songs only one or two times on a tour but plays others far more often; this means that a higher number of songs does not necessarily indicate greater setlist variety.
Percentage of Catalog Played To overcome the size-of-catalog problem, let's rank the tours by the percentage of the then-current catalog that was played on the tour. Here we are excluding defunct songs once their evolved versions debuted, and we're excluding one-off covers and the like, but otherwise, we're including nearly all songs that had been played up through the end of each tour. Finally, it's a bit subjective to determine which songs should count as being "in the catalog" at the time: do songs from Some Devil count, even if they've never been played at a DMB show?
Does Captain count from onward, or only from , , or ? It's certainly a judgment call. Average Rarity Since adjusting for one skewed variable creates another skewed variable, and vice-versa, let's take a different approach. Our website assigns each show a rarity index number, which represents how often the average song in that show's setlist was played on the tour.
For example, if a show has a 2. Averaging all of the rarity index numbers for a given tour provides a rarity value for the entire tour. It would not have been feasible for the band's setlists to have been as varied in the early days as they are today, so we again have an apples-to-oranges comparison. Average Rarity vs. Maximum Average Rarity It is possible to calculate a maximum average rarity value for each tour, based on the total number of songs available in the band's catalog at the time and the average number of songs played at each show.
Because this value has increased as the band's catalog has grown, comparing tours by the difference between the maximum average rarity and the actual average rarity accounts for that skew. Here are the rankings using this way of reckoning with the maximum, actual, and difference in parentheses : 1 Fall 3.
Conclusion So what's the takeaway here? Are the band's recent setlists as varied as they were in the early days? Yes and no. Depending on which of the above methods you use, you'll believe that the tours with the most varied setlists are either from , , or Method 3 Average Rarity seems to be the most objective comparison, and it shows that the band's more recent tours have featured far more varied setlists than did their early tours; however, as mentioned above, this objectivity does not necessarily mean it's a fair comparison.
There is no single best way to objectively compare one DMB tour to another. Each of the methods described above has its flaws. Stray Observations Please note that the data above feature only tours with 20 or more shows whose setlists are known. Short tours over- or underinflate certain statistics, so we have chosen to ignore those tours. Additionally, some of the data above have been adjusted to account for unknown setlists. Even though we omitted the 28 tours with fewer than 20 shows, some of the data for those tours are still interesting.
Just because a show has the highest rarity index number for its tour does not necessarily mean it was the best show of the tour. That's for you to decide. It just means that the songs at that show weren't played as often as the songs at other shows. The most recent major tour whose average rarity index value is less than 2 is Summer 1.
Summer has one of the lowest average rarity index values of all time 1. Many people consider these two tours among the best the band has done, which is good evidence that rarity and, by extension, variety isn't everything. The single rarest show of all time is 9. Remember, though, that a show's rarity index number is only good for comparing a show to others from the same tour. We made a big deal about the rarity index value for 9. Here is the updated liberation list, including the most recent liberation.
Oh, dear Dad, can you see me now? This site has long had a way of seeing which shows and songs have been officially released via the little spinning CD icon; however, if you wanted to know what specific performances were included on a given compilation such as DMB Live 25 , you were in for a scavenger hunt. While the DMB community has had several discography websites over the years, none of them have remained active, and we saw a great opportunity to adapt our established setlist format for releases' tracklists.
We created the foundation for this discography several years ago, but it lay dormant until about a month ago. We are very excited that it is now live! On the main discography page , releases are organized into various categories and are listed chronologically within each. When you click on a release, you will currently see the title, release date, tracklist, release notes, and cover art.
The times listed on this page are track times , not song times, and when a single track contains multiple songs indicated by the lack of a track number , we have split out the track time accordingly. If a release has any live performances, the performance date is listed in yellow in the Notes column, and if the song was played in the opener, closer, or encore slot, its track number will be highlighted in teal, blue, or red, just like on show pages.
Clicking a song title will take you to that song's list of live releases, and clicking on a song's performance date will take you to that show's page. We have also updated show pages to remove "selected for release on Instead, the spinning CD icon itself will continue to indicate that a specific performance has been officially released, and clicking on that icon will display the release's title, which you can click to go to the release's page.
The discography is very much still a work in progress, and we have several enhancements planned for the future. We will continue uploading cover art for releases, and we plan to have full liner notes available i. Currently, there is only one entry per release, and when there are different versions of an album, we are including all of the tracks on this overall release view; however, we intend to integrate different release versions e.
If you have anything in your collection that isn't currently on our site, or if you can help fill in some missing information about a release e. We have decided not to include the various "radio specials" that have been syndicated over the years as they are not truly "releases. This is not the greatest song in the world.
Eyes of the World. Ring of Fire. Super Freak. I'll Be There. Brass Monkey. Sexy M. Runnin' Down a Dream. Right Place, Wrong Time. Speed of the Sound of Loneliness. If you said goodbye to me tonight, there would still be music left to write. The band has been taking the stage about 30 minutes earlier than normal this year, and while most shows haven't quite been pushing the usual curfew, the shows as we track them, by total song time have still been longer than usual eight shows into the tour.
After incoming storms forced the band to leave stage early on Friday night in Chicago, they played an especially long set for the same crowd on Saturday night. Here's a look at all of the shows the band has ever played that had at least two hours and 45 minutes of total song time to our knowledge.
Not surprisingly, is dominant on this list due to the two-set format the band used that year; , the other recent year in which they played two sets, is not nearly as represented, though. Interestingly, there are no shows from earlier than on this list.
The 3. Song Time. City, State. Alpine Valley Music Theatre. John Paul Jones Arena. The Gorge Amphitheatre. Saratoga Performing Arts Center. Saratoga Springs, NY. Susquehanna Bank Center. Piazza Napoleone. Vivo Rio. Bank of Oklahoma Center.
First Niagara Pavilion. Tuscaloosa Amphitheater. Toyota Pavilion at Montage Mountain. Huntington Bank Pavilion at Northerly Island. Xcel Energy Center. Xfinity Theatre. Hollywood Casino Amphitheatre. Maryland Heights, MO.
Nikon at Jones Beach Theater. Riverbend Music Center. Irvine Meadows Amphitheatre. Sirius Streams. Here are all of the shows that have been broadcast on SiriusXM in their entirety. We are listing them in the order of their first airing and omitting encore airings from the table.
We are defining the stream types like this: Live Concert Stream - When the channel has been active and has been playing on a Friday night, Sirius has generally live-streamed the full show. Archive Stream - This category covers all shows that have aired that were not officially released at the time of their airing, and were not streamed live.
This category includes all concerts no matter how recently it occurred. Sirius Exclusive Stream - While almost all of these non-released shows are Sirius exclusives, this category is reserved for shows that were performed specifically for Sirius. Note that The Warehouse Session falls into this category because while it was on the Warehouse fan site, it was exclusive to Sirius at the time. It is being released in 's Warehouse Membership package, but was unreleased at the time of airing.
Released Stream - These are concerts that have been officially released at the time of their airing on Sirius. Show Type. Stream Type. Ruoff Home Mortgage Music Center. Blossom Music Center. The Wharf Amphitheater. Fiddler's Green Amphitheatre.
Greenwood Village, CO. Mitsubishi Electric Halle. AFAS Live. Oak Mountain Amphitheatre. Xfinity Center. The Cynthia Woods Mitchell Pavilion. Bethel Woods Center for the Arts. Wells Fargo Arena. Harveys Lake Tahoe Outdoor Arena. SiriusXM Studios. Chase Center. Matthews residence.
Mohegan Sun Arena. Ameris Bank Amphitheatre. Walmart Arkansas Music Pavilion. Ak-Chin Pavilion. Radio City Music Hall. Lupo's Heartbreak Hotel. Pepin Gymnasium. HiFi Buys Amphitheatre. Continental Airlines Arena. Staples Center. Dick's Sporting Goods Park. Verizon Wireless Amphitheatre at Encore Park. Wetlands Preserve. Haunted Hollow Recording Studio. Worcester's Centrum Centre. Meadows Music Theatre. The Arena in Oakland. Benaroya Hall. Centre Bell. United Center. Madison Square Garden. Hampton Coliseum.
Golden Gate Equestrian Stadium. North Charleston Coliseum. North Charleston, SC. Boise State University Pavilion. Fenway Park. Classic Amphitheater. Wrigley Field. Sound Advice Amphitheatre. Tweeter Center at the Waterfront. Hersheypark Stadium. Four new shows kick off the live release list.
There was no announcement sent out from either DMB management or Nugs as far as we can tell , and it comes at the same time as them expanding the availability of the Live Trax series - now up through Volume 50 however the service is missing night 2 of Live Trax v09 3. They have also added all 30 volumes of the likely concluded DMBlive series. It's notable because this is the first time anything from DMBlive series has been available for digital streaming. This seems to expand the relationship between DMB and Nugs.
The four concerts are all from the Summer Tour: 5. The audio from the concerts appears to be straight from the source, as opposed to some of the individual track normalization, intros and closing remarks that are added by SiriusXM before airing. While this could be a sign of more SiriusXM exclusive concert streams being made available, it's more likely that the Drive-In streams are the indicator of what might come next.
Most of the Drive-Ins were taken already released and mixed audio concerts, but the two shows that were aired, but not yet on Nugs are 6. Here is an update of our table of full shows that have been released:. Red Rocks Amphitheatre.
Folsom Field UC-Boulder. Central Park. Bonnaroo Music Festival. Worcester Centrum. Golden Gate Park. Baldwin Memorial Pavilion Oakland University. MGM Grand. Piedmont Park. Atlantic Pavilion. Day Amphitheater. Busch Stadium. Prism Coffeehouse. Town Point Park.
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Here it comes dive right into me Now the floor is the ceiling If you never flew why would you? Cut the wings off a butterfly. Save your sermons for someone thats afraid to love If you knew what I feel then you couldnt be so sure I'll be right here lying in the hands of God If you feel angels in your hair Teardrops of joy run down your face You will rise. Fill me up now drain me Skin begins to grow back slowly Faster until i'm choking I really should call my mother. Save your sermons for someone thats afraid to love If you knew what I feel then you couldnt be so sure I'll be right here lying in the hands of God If you feel angels in your hair.
I am in love with nothing else Teardrops of joy run off my face I will rise for someone that's afraid to love If you knew what I feel then you couldnt be so sure I'll be right here lying in the hands of God. Quiero recibir notificaciones de artistas destacados y noticias. Lying in the hands of God Dave Matthews Band.
Baby I'll be your soldier Gladly I'll do your bidding For just a taste of what you're holding For just a taste you could own me Save your sermons for someone thats afraid to love I'll be right here lying in the hands of God Here it comes dive right into me Now the floor is the ceiling If you never flew why would you? Cut the wings off a butterfly Save your sermons for someone thats afraid to love If you knew what I feel then you couldnt be so sure I'll be right here lying in the hands of God If you feel angels in your hair Teardrops of joy run down your face You will rise Fill me up now drain me Skin begins to grow back slowly Faster until i'm choking I really should call my mother Save your sermons for someone thats afraid to love If you knew what I feel then you couldnt be so sure I'll be right here lying in the hands of God If you feel angels in your hair I am in love with nothing else Teardrops of joy run off my face I will rise for someone that's afraid to love If you knew what I feel then you couldnt be so sure I'll be right here lying in the hands of God Now the floor is the ceiling If you never flew why would you.
Subtitulado por Michele. Save your sermons for someone thats afraid to love If you knew what I feel then you couldnt be so sure I'll be right here lying in the hands of God If you feel angels in your hair. I am in love with nothing else Teardrops of joy run off my face I will rise for someone that's afraid to love If you knew what I feel then you couldnt be so sure I'll be right here lying in the hands of God.
Lying in the hands of God Dave Matthews Band. Baby I'll be your soldier Gladly I'll do your bidding For just a taste of what you're holding For just a taste you could own me Save your sermons for someone thats afraid to love I'll be right here lying in the hands of God Here it comes dive right into me Now the floor is the ceiling If you never flew why would you?
Cut the wings off a butterfly Save your sermons for someone thats afraid to love If you knew what I feel then you couldnt be so sure I'll be right here lying in the hands of God If you feel angels in your hair Teardrops of joy run down your face You will rise Fill me up now drain me Skin begins to grow back slowly Faster until i'm choking I really should call my mother Save your sermons for someone thats afraid to love If you knew what I feel then you couldnt be so sure I'll be right here lying in the hands of God If you feel angels in your hair I am in love with nothing else Teardrops of joy run off my face I will rise for someone that's afraid to love If you knew what I feel then you couldnt be so sure I'll be right here lying in the hands of God Now the floor is the ceiling If you never flew why would you.
Nos avise. Legendado por Michele. Viu algum erro? Posts relacionados. Playlists relacionadas. Mais acessados. Todos Rock Gospel Sertanejo Mais. Aplicativos e plugins. Mobile Android iPhone Windows Phone.
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