Dune e-books torrent

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Dune is a landmark novel published in and the first in a 6-book saga penned by author Frank Herbert.

Dune e-books torrent Uprooted Epub holds a score of 4. Our computer system will be times smarter than today and human will spread all over the universe. The village is apparently protected by a wizard called Dragon who collects a beautiful torrent from the village as a payment every ten years. Dune PDF, Epub — Details And Review: Set in the distant future, in the year 10, Dune Torrent follows the story of two rival feudal families as they fight over the planet of Atreides, precious in melange, an element that dune e-books essential to adapt to the complexities of the universe. The Dune series is the subject of several adaptations into film, TV, boardgames and video games - including an upcoming major motion picture slated for release in
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Not well, in my opinion. It's a loud, dull action movie, with an ear-splitting soundtrack. It has all the scenes you might have seen if you watched either of those two versions, but didn't do them nearly as well. At two and a half hours, it drags on. The Lynch version of the film was minutes, and got the whole story in. This film leaves key aspects out, and only tells half the story, and it just goes on and on and on.

To start, let's talk about characters. DeLaurentis got a cast of largely unknowns back then, many of whom went on to distinguish themselves. Heck, even the little girl actress, Alicia Witt, went on to have a career as an adult.

This movie uses a cast of people you've heard of, and their screen time is often based on "I know who that is. I'll give two examples. A key point in the book is that the betrayal by Dr. Yeuh, played here with no charisma by Cheng Chen because as a Suk Physician, taking a human life is against his conditioning.

No build up, no nothing, he just does it. On the other hand, because Duncan Idaho is played by Jason Momoa, he gets a lot more screen time than his presence in the book. Duncan's clones become a much more important part of later books, but that's neither here nor there.

His final fight scene goes on interminably here, while they were quickly brushed over in the previous versions. Similarly, while Peter DeVries is a key player in the book, here they don't even mention him by name, and he's just "Henchman who gets poisoned".

Concepts such as the Mentats, Guild, Bene Geserit, are kind of glossed over to get to those sweet, sweet action sequences. The movie rises and falls on the actor who plays Paul Atreides Again, trippy as it was, the version did this better. The Sci-Fi Channel did it better The visuals are immersive. But without strong characters and story to back them up, what's the point? It's almost like watching a Transformers movie. The thing is, they HAD strong characters and a story It's been amazing being back in cinemas after last year, I have seen some good films, and some shockers, this though, is the first great film of the year for me.

The story is somehow easier to follow than in the last adaptation, motives and actions are easier to see and follow. I felt as though the book had come to life here, even if there are a couple of changes. The acting is impressive, as is the music, the visuals however are the most incredible thing about this film, it looks awe inspiring. The battles are epic, the staging is impressive, you almost feel close to the action, I cannot praise that element highly enough.

When I saw Part one, I was a little surprised, I was a little more surprised by the ending, I only hope the wait isn't too long. Pacing, considering where the film ends, it never felt slow or drawn out, I was captivated from start to finish. Login Register. Loading, please wait. Quality: All p p p 3D. Year: All Download Watch Now. Select movie quality. Similar Movies. Loading video, please wait Please enable your VPN when downloading torrents.

I think this time around, I will watch the movie. Thanks for always putting what I am thinking about a book into words! There's a characteristically witty essay by Borges about a man who rewrites Don Quixote , many centuries after Cervantes. He publishes a novel with the same title, containing the same words in the same order.

But, as Borges shows you, the different cultural context means it's a completely new book! What was once trite and commonplace is now daring and new, and vice versa. It just happens to look like Cervantes's masterpiece.

Similarly, imagine the man who was brave or stupid enough to rewrite Dune There's a characteristically witty essay by Borges about a man who rewrites Don Quixote , many centuries after Cervantes. Similarly, imagine the man who was brave or stupid enough to rewrite Dune in the early 21st century. Like many people who grew up in the 60s and 70s, I read the book in my early teens.

What an amazing story! Those kick-ass Fremen! All those cool, weird-sounding names and expressions they use! They even have a useful glossary in the back. The disgusting, corrupt, slimy Harkonnens - don't you just love to hate them!

When former-aristo-turned-desert-guerilla-fighter Paul Muad'Dib rides in on a sandworm at the end to fight the evil Baron and his vicious, cruel nephew, of course you're cheering for him. Who the hell wouldn't be? So that was the Dune we know and love, but the man who rewrote it now would get a rather different reception. Oh my God! These Fremen, who obviously speak Arabic , live on a desert planet which supplies the Universe with melange, a commodity essential to the Galactic economy, and in particular to transport.

Not a very subtle way to say "oil"! They are tough, uncompromising fighters, who are quite happy to use suicide bombing as a tactic. They're led by a charismatic former rich kid OK, we get who you mean , who inspires them to rise up against the corrupt, degenerate Or only the US? And who is Baron Harkonnen intended to be? I'm racking my brains Dubya doesn't quite seem to fit, but surely he means someone?

Unless, of course, he's just a generic stereotype who stands for the immoral, sexually obsessed West. This is frightening. What did we do to make Frank al-Herbert hate us so much? You'd have people, not even necessarily right-wingers, appearing on TV to say that the book was dangerous, and should be banned: at the very least, it incites racial hatred, and openly encourages terrorism.

But translations would sell brilliantly in Pakistan and Saudi Arabia, and a bad movie version would soon be made in Turkey. I honestly don't think Herbert meant any of that; but today, it's almost impossible not to wonder. If anyone reading this review is planning to rewrite The Tale of Benjamin Bunny , you'd better make sure you get your timing right. Who knows how it will be interpreted five years from now?

No one should argue the importance Dune. It laid the foundations for a great deal of the themes and constructs in modern science fiction. Unfortunately, just like them, he's quite dated, and his books can be a labor to read. One thing he maintained from old science fiction was prim and scientific dialogue that no one would ever actually speak. I've known many scientists, and they don't talk like this.

You're not going No one should argue the importance Dune. You're not going to convince me a child does. The stuffy dialogue is inserted into even stuffier narrative, until it feels like nothing is organic about Herbert's prose. This is a terrible tragedy when you've got a world that he put so much effort into building - and it is an amazing feat of world-building, technically interplanetary building.

But unlike J. Tolkien, who he is so frequently compared to, Herbert didn't make sure to include a great story in his world. Instead he included a story that frequently illustrated how clunky an artificial world can be, even if it's lovingly crafted. I struggled to attach or find interest in anyone, yet they're more archetypes than human beings, whose logic races past modern skepticism and whose dialogue is cloyingly artificial, the way people cared for the Hobbits, Dwarves and Rangers.

In his world-building, Tolkien at least saved himself from being dated by antedating himself, and even with his illuminated prose, wrought more characteristics in just one protagonist than all of Dune 's cast. Even the political intrigue Herbert tries to fall back on was overdone in the Spy genre decades before he started this book. All fans of the "Genre" genres should appreciate Herbert's massive contributions, but they shouldn't pretend to enjoy the books if they don't, and they should be wary of certain pitfalls typical of science fiction that survived into his landmark work.

Sorry I don't get it. I was able to finish it by listening to the audiobook but I was bored throughout the whole 21h. So many descriptions And let's not even mention how many times I laughed at the main female character being called Jessica. I'm sure I'll get plenty of comments telling me it's a classic and it brought so much to the genre At the end of the day, my rating is always based on my enjoyment.

Sep 27, Jack Edwards rated it it was ok. While the cultural impact of this book is indisputable, I couldn't help feeling incredibly underwhelmed when reading it. Even the plot couldn't save Dune, since it's spoiled at every juncture by 'Princess Irulan' and her epigraphs before each chapter. Did no-one tell her about spoiler alerts? From the very first pages, this book plunges you in at the deep-end with an absurd amount of overly complex world-building, which just makes the book laborious to work through.

It wasn't for me, and the post While the cultural impact of this book is indisputable, I couldn't help feeling incredibly underwhelmed when reading it. It wasn't for me, and the post-Dune reading slump is real. View all 30 comments. Abner "The book is great, i don't know what u talkin about. Oct 08, Ayman rated it did not like it.

View all 48 comments. View all 46 comments. No other single syllable means as much to the science fiction genre, a single word that conjures images of sandworms, spice wars, great battles between rival dynastic families and a massively detailed and intricately crafted universe. No wonder this is widely regarded as not just a Science Fiction masterpiece, but a literary achievement as well. Like a study of Shakespeare, the reader finds that this is an archetype upon which many influences and imitators have based their works.

The comple Dune. The complexity and depth of the creation is staggering and I am continually astounded at the discipline with which Herbert must have focused his imagination. This is the book upon which Herbert would base his greatest series and one that would outlive him as his son has continued to expand and add detail to the vast, immaculate tapestry woven by a true master of the genre. Encapsulating political, economic, sociological, biological, cultural and dynastic themes, Frank Herbert has set a high standard for later practitioners.

From the perspective of having read his later 5 Dune sequels, I am astounded at the rich tapestry he has woven. Most impressive was his close omnipresence, analyzing the thoughts and minute actions and subtle nuances of his complicated dynamic interplay of characters. The exhaustive training of the Bene Gesserit and the intricate relations of the Houses and the Guild would stand as a monumental benchmark for speculative fiction ever since.

This time around I found myself looking more closely at the Harkonnens and will likely read some of Brian Herbert's additions to his fathers great work. This time around I noticed that all of the quotes that begin chapters are from Princess Irulan and I paid close attention to how Herbert crafted these interludes. I also was drawn to the religious undertones that really began very early in the book and how Paul realized his gifts and was preparing for his role in the beginning chapters - all demonstrating Herbert's great narrative skill.

Finally, I became more aware of what a great character was Gurney Halleck. While the ghola of Duncan Idaho dominated the later books, Herbert's creation of Halleck was an enjoyable and thought provoking addition to this masterpiece. View all 91 comments. Shelves: transhumanism , sci-fi , space-opera , top-ten-w-cheats , fanboy-goes-squee , worldbuilding-sf , top-one-hundred.

Number I cannot get over how beautiful this book is. Still my favorite after all these years. It only gets better with every re-read. I shiver when Jessica consoles Chani. I'm awestruck by the peaks and troughs of time, free-will, and the weakness in Paul even as he heroically strives against the evil that is about to be unleashed upon the universe.

Easily the number one book I've ever read. It's not just science fiction. It transcends science fiction, as a fascinating discussion of free-will versus inevitability. Can the Jihad be denied? Can Paul ever really avoid his own death, despite seeing every time-line play out with him as the butt of every cosmic joke? Can even cruelty or mercy even remain comprehensible after such knowledge? Yes, I think this work outdoes Nietzsche. It certainly does a great job of making us care about the question.

Is this all? Is this just a work that pays great justice to philosophy of action and inaction? Or is the novel merely a clever play at turning the Heisenberg Uncertainty Principle into the physical embodiment of a man? It is that, of course. The Kwisatz Haderach can be many places at once, and he can be both alive and dead at the same time just like that certain cat.

Is the novel a coming of age tale, first set as a mirror against his father Leto, only then to mirror the whole universe that had just turned against him? Yes, of course. He was, after all, both the product of all his upbringing and his genes, embodying the question of nature versus nurture. He was taught within many schools of martial arts and assassins, as well as training the mind in both the schools of the Mentats with their pure logic and that of the mystics, the Bene Gesserit, that allows complete control over the body down to the cellular level.

And if this training wasn't enough, he was deeply schooled in politics, leadership, and the meaning of loyalty. The boy was raised right. Of course, that is nothing without ninety generations of genetic bloodline tampering from the Bene Gesserit, right?

To become the fulcrum between cellular memory, tapping the minds and lives of all your genetic ancestors as well as tapping the ability to fold time and space, to become the eye of a storm of time. What a damn brilliant setup for one tiny character, no? His training links to the unlocking of his genes and to the life-extending and enveloping spice, Melange, to make him not merely aware of time in a theoretical sense, but eventually to be unable to discern what was in the past, the present, or the future.

Here's a true Super-Man, well beyond Nietzsche. And don't believe for one second that this serious discussion about what would make a superior man makes for dull reading. We've got PLOT that's probably some of the most exciting and visceral in all of literature, driving us right into the web of intrigue, vengeance, treachery, and galactic politics.

To quote the text, we've got "Plans within Plans," and it hardly stops there. We know the House Atreides is falling into a trap laid by the Emperor and House Harkonnen, and yet free-will and pride prevents any chance to avoid it. The setup is brilliant and extremely political, giving us character sketches of some of the most brilliant and memorable characters of all time. Duke Leto, the Red Duke, the most honorable and beloved leader. Duncan Idaho, the emotional and intuitive hero.

Gurney Halleck, archetypal loyalist and troubadour. Lady Jessica, the woman who ought to have had all honor in life, but was unjustly reviled and set aside for political necessity. Chani being both her mirror and her eventual glory. And of course, my favorite character of all time, Paul Muad'dib Atreides, the one that would prevent the greater evils he foresaw, and went to enormous lengths and sacrifice to achieve, but who eventually failed in his task because even a god cannot overcome destiny.

Or the will of so many minds set as one. So damn brilliant. Frank Herbert spent five years writing this treasure, working and reworking it until he published it at age None of his other works come close to this masterpiece, and there's little wonder. It was birthed, fully-formed, like Athena from Zeus's head, with enormous forethought and care. The worldbuilding was just as carefully formed, from the ecology of Arrakis and the life-cycles of the sandworms, to the history and the creation of the Fremen from their mild beginnings as Zensunni Wanderers, adherents to the Orange Catholic Bible, to their history of oppression so like those of those who are Jewish, to their settling and hardening of their bodies and souls in the wastes of Arrakis, also just like the Jewish who carved out a place for themselves in Israel.

Current politics aside, this was a very potent idea before when Herbert wrote this, and indeed, the core is still just as powerful when you turn it back to Muslims. The Galactic culture is rich and detailed. The CHOAM economic consortium, with their monopoly on space travel and their need for the Spice to allow them to see a short period into the future to plot a safe course before folding space. The Empire is caught on a knife's edge between a single power and every other House who sit in the possibility of putting aside all their squabbles for the sole purpose of checking the Emperor, if they so desired.

And Duke Atreides was such a possible popular leader among all the Great Houses, which was the primary reason the Emperor wanted him dead. And of course, we have our Villains. The Baron Harkonnen has always been a crowd pleaser. Brilliant in his own right, devious and able to corrupt anyone with just the right sorts of pressure, including a certain absolutely trustworthy doctor we might mention.

The Tooth! Feyd Rautha Harkonnen is especially interesting for the question of nature versus nurture. The Bene Gesserit had intended him to mate with Paul, who should have been Leto and Jessica's daughter, and that offspring should have been the cumulation of ninety years of a breeding experiment to recreate the Kwisatz Haderach which had come about almost by accident during the Butlerian Jihad in the deep past, to overthrow the AI overlords.

He was practically Paul's genetic twin, or at least, his potential to be the "One who can be many places at once" was on par with Paul. But instead of fulfilling the kind of destiny that we get with Paul, we see him grow up under the auspices of his Uncle the Baron, becoming as cruel and devious as he was deadly. He was the argument of nurture in the conversation, of course, and having so very little of it eventually cost him his life. I often wonder about the directions that Dune could have taken, all those little paths in time and circumstance that could have been.

What if Feyd had been brought to Arrakis earlier and overwhelmed with Spice the way that Paul had? Sure, he wouldn't have been able to convert the unconscious changes into conscious manipulation, but he might have had enough glimpses of the future, the way that the Fremen did, to have given him the edge he would have needed to kill Paul. And then there's a relatively minor character, Hasimir Fenring, the Emperor's personal assassin, who was nearly the Kwisatz Haderach, himself.

Unable to breed true, he was still potent enough to be completely hidden to Paul's time-sight in the same way that Paul was hidden from the Spacing Guild's weaker time-sight. His training as a skilled killer was also superior to Paul. He was, by all the hints and tricks in the tale, Paul's perfect downfall. It always gives me shivers to think about, and it was only in a single instant of both recognition and pity from Paul that stayed Fenring from killing our hero.

It was just a moment of whim. The setup was gorgeous. Paul's pity, had it been missing at his moment of greatest triumph over the Emperor, would have meant Paul's assured death. I still wonder, to this day, what stayed Frank Herbert's hand from killing his most wonderful darling. We knew the pressure of religion and politics was going to have its way upon all the oppressed peoples of Dune. The return of a monstrous religious Jihad was going to happen one way or another, sweeping across the galaxy and toppling the Empire, regardless of Paul's frantic plans and desires.

Paul's own death would only mean a higher level of fanaticism, and Frank Herbert's warning against unreasoning devotion would have been made even clearer with Paul's death. Perhaps it was pity that stayed his hand. Who are we to say who lives and who dies? If you really think this review is overlong, then I apologize, but please understand that I could absolutely go on and on much longer than this. It is a symptom of my devotion to this most brilliant of all tales.

And yes, it still holds up very, very well after twelve reads. I am quite shocked and amazed. So, I read it again six years on and this is something I said I would never do because I found it so difficult to read the first time. Though I think that was more to do with my immaturity as a reader at the time than anything else. This time I was impressed with everything: the intelligence of the writing, the details of the world and the intricate nature of the storytelling.

The balance is perfect. The Freman culture is driven by ideas of ecology, efficiency and waste reduction. And whilst they are not without their faults, the sense of oneness and appreciation they have for their home planet is a strikingly important commodity. I want to see more of this world. Original Review - 3. It has taken me almost two months to read. This, for me, is a very long time to spend on a book.

It took me so long to read because I found the writing style incredibly frustrating. I had to read whole chapters again so I could get the gist of the plot. I found this very annoying; however, I persevered over my initial despondency towards the writing, and plodded on through the book.

Indeed, the story is fantastic, but the writing will always remain unbearable for me. A truly brilliant plot Dune is to science fiction what The Lord of the Rings is to high fantasy; it is the novel that officially, and unarguably, defines the genre. The story begins with the house of Atreides accepting the Dukedom of the planet Dune. The former Baron has been ousted by the Emperor, and is no longer of consequence.

Well, that is how it initially appears. Very early on it revealed that the whole thing is a political ploy to bring the house of Atreides to its knees. The Baron lies in wait, and is ready to strike against the new, and benevolent, approach the Duke uses on the Fremen.

The Fremen are the natives of the dessert planet; thus, they know how to survive its harshness above all others. They do this through their frugal approach to water. They value it above all else, and will never waste a drop in earnest. The Baron Harkonnen, as a chide against the natives, squanders water in the cruellest ways.

He, and his dinner guests, throw cups of water on the floor of the dinner hall; it was his tradition. The wasted water was soaked up with towels, which the Baron allowed the Fremen to suck the water out of. When the Duke enters he rejects this custom, and is more respectful to the Fremen way of life. These Stillsuits, quite literally, recycle all the water the body wastes and feeds it back to its wearer.

When he eventually gains the trust of the Fremen they allow him to choose a Fermen name. He calls himself after their most revered prophet: Muad'Dib. They accept this and follow him as their leader. His inherited title of Duke dictates that he is their lord, but their religion determines their real loyalty. He has to, quite literally, fight for every ounce of their trust.

Indeed, it does not come cheap, and will only be given to one who is a member of their people. The sleeper must awaken. Consequently, he receives heaps of character development through this book. He goes form boy to the revered leader of a nation.

The Fremen, like Paul, want the evil Baron Harkonnen gone from their planet. They do no want a cruel oppressor who is ignorant to their ways: they want Paul. I think the imagination behind the Fremen culture really is wonderful. They have efficiently adapted to survive their harsh planet. To emphasise this point you need only look at the fact that off-world humans live in fear of the giant Sandworms that infect the planet whereas the Fremen ride them as a coming of age ritual.

Indeed, Paul has to ride a worm if the Fremen are to follow him. Deep characters The result of this is a very complex, and intriguing plot. I found the first third of this book to be very perplexing initially. This is a world we are told about rather than shown at the start. We hear about the Fremen but do not truly understand them till the very end. I was very overwhelmed at the beginning, and in all honesty I do think this novel merits a re-read to further establish my understanding of it.

This did affect my rating because it inhibited by enjoyment of the book. But the real universe is always one step beyond logic. His mother is to be the new revered mother of the Fremen people, which for someone of her age is quite remarkable. As much as I came to like these characters I was still frustrated with the writing of them in the beginning.

I found it difficult to read scenes in which up to four characters internal thoughts are portrayed alongside their dialogue. I much prefer a narrative that is focalised through one person. Well, at least one person per chapter. Overall, I thought the idea behind this novel was utterly fantastic. However, my personal reaction to the writing style limited my overall enjoyment of the book.

I do intend to read some of the sequels. However, I do not have any intention of doing so in the near future. Maybe, in a couple of years I will return to the brilliant, and annoyingly written, world of Dune. View all 38 comments. First, the book is incredibly put together and really well thought out. Often, the author wrote the book in such a way as you can hear the character's thoughts which was a really interesting perspective and provided a more immersive experience.

The book touches on so many different deep topics and is so inspiring, moving. The book was also so unpredictable and unique. Highly recommend. View all 13 comments. Jun 01, J. People often forget that this series is what innovated our modern concept of science fiction up until Neuromancer and The Martix, at least.

Dune took the Space Opera and asked if it might be more than spandex, dildo-shaped rockets, and scantily-clad green women. Herbert created a vast and complex system of ancient spatial politics and peoples, then set them at one another's throats over land, money, and drugs. Dune is often said to relate to Sci Fi in the same way that Tolkien relates to Fantas People often forget that this series is what innovated our modern concept of science fiction up until Neuromancer and The Martix, at least.

Dune is often said to relate to Sci Fi in the same way that Tolkien relates to Fantasy. I'd say that, as far as paradigm shift, this is widely true. Both entered genres generally filled with the odd, childish, and ridiculous and injected a literary sensibility which affected all subsequent authors. Few will challenge the importance of Star Wars' effect on film and storytelling in general, but without Dune, there would be no Star Wars.

It is unfortunate that Lucas seems to have forgotten in these later years that his best genius was pilfered from Herbert, Campbell, and Kurosawa. Though I have heard that the later books do not capture the same eclectic energy as the first, Dune itself is simply one of the most original and unusual pieces of Sci Fi ever written.

Read it, Starship Troopers, Ringworld, Neuromancer, and Snowcrash and you'll know everything you need to about Sci Fi: that you want more. View all 42 comments. Ok, my only reference for Dune was the movie with Kyle MacLachlan. And, honestly, it was the main reason I've always wanted to read this book. Ohmygod look what that fake-looking piece of plastic shit is doing to poor MacLachlan's nose? How was he even able to act with that thing pushing his nostrils to the side of his face?

I can't stop looking at it! I remember loving that movie when I was young. I honestly didn't remember much about it other than it was sorta weird, there wer Ok, my only reference for Dune was the movie with Kyle MacLachlan.

I honestly didn't remember much about it other than it was sorta weird, there were giant worms, a bunch of people had glowing blue eyes, and Sting was in it. After listening to this audiobook, I decided to rewatch the movie and relive the good times. Just wow. What in the holy hell did I just watch? Because whatever it was, it certainly didn't have much to do with the actual book. There were some fucking weird changes that they made to the movie that really didn't do anything for the plot.

Like that gross dude with the shit in his face that flew around in that goofy air suit? In the book, he's just a fat dude! And that thing they do where they all have drain plugs attached to their hearts? Not in the book, either! Blowing shit up with their voice guns? Bald Bene Gesserits? Bugs with butthole mouths?

Mentat's with clip-on eyebrows who drink juice that gives them herpes lips? Captain Jean-Luc Picard going into battle with a pug? Fuck no! The list goes on and on Not that it should matter. But it does! Because I was expecting something realllyreallyreally different, and if you go into this like me you may end up Having said that, I think the book was definitely better.

There was no reason for ass-mouth monsters or oily rock stars in weird rubber underwear. It just makes a lot more sense the way Herbert wrote it. It's a magic is science tale set in space with an incredibly interesting look at how politics and religion can hold hands with each other and make war babies.

I can see why people rave about it. It's honestly an incredibly insightful novel. You know, if you're into that sort of thing A little dense , but worth it. But dense. That's worth saying twice because this thing is massive and you may get lost in it if giant word monsters aren't your jam when it comes to reading. Seems as if they might be duned to be addicted to spice, all good old barbarians on magic mushrooms style. Essentially, only this, the first one, is a real science fantasy epos, while the others are mostly circulating around the characters Seems as if they might be duned to be addicted to spice, all good old barbarians on magic mushrooms style.

Essentially, only this, the first one, is a real science fantasy epos, while the others are mostly circulating around the characters' special skills and family problems without much meta, plot, or different settings. Real life implications and innuendos.

Because how the traditions, monsters, and badass special moves of the inhabitants influence the planetary and intergalactic trade and travel balance is slowly presented to the reader, while the impact of the wonderful spice expands its glow towards total domination. The idea of one substance changing the whole balance of power of the galaxy is big in many sci-fi series and especially terrifying for each arrogant, high tech civilization, because an animal creating impervious shields, an immortality tonic, a mind altering super drug, etc.

Classic barbarian hordes on magic mushrooms looting Rome style. Bene Gesserit Who says that centuries long, epigenetic, elitist breeding programs have to be completely evil all the time? However, it works with less evil too. Together with the spice, this elite mental mind control academy with the aim to finally create the ultimate space JC messiah figure to defecate rainbows, freaking galactic peace, pink unicorns, and gold, is the backbone of the whole trilogy, because impacts of both and the excessive use of it as MacGuffins and Chekhovs plot devices lead to the question: Is this still really sci-fi or not more a high fantasy thing with some sci-fi elements?

Well, highly subjectively, yes, Dune is mostly psi fantasy dressed in futuristic clothes with some faith, tech, technobabble rare , and trade in between, which makes it one of the most outstanding and unusual sci-fi works, I mean fantasy camouflaged as sci-fi. The other way round, as with Dune, is much easier, just put some sci-fi around fantasy and everything just rolls perfectly. Is terraforming destroying cultural heritage or making inhabitable worlds paradises?

The ethical implications of this question are another sci-fi old school vehicle, especially if the terrible acid rain, high gravity, parasite infested, or dirty desert land is the only region where the special, red plotline device can grow and thrive. Just Shipping not included. What made the first three parts, that they are kind of eccentric, ingenious standalones without the classic space opera series uniting plotline and style, great, kind of destroyed the rest of the series.

Because he had no more vision for the meta, high sci fa elements, Herbert lost control over his own creation and just manufactured hearthless shells to sell more books. View all 16 comments. But I certainly respected the hell out of it. It tackled stuff that is uncomfortable and therefore is generally handwaved over in the usual SF epics. And for that I seriously respected this dense complex tome. We people tend to love the idea of a charismatic all-powerful leader who inspires faithful following and true fervor, that cult-like blind devotion.

We give those leaders tremendous power to lead and decide and determine fates. So many stories rooted in the weight of our species collective history glorify this; so many countries still apparently yearn for powerful visionary leaders that others proclaim to be dictators. So many religions go to wars over the legacy left by a popular charismatic leader centuries ago, interpreting those legacies as the engine for the action, destruction, obedience.

Hero worship. Messianic worship. Prophecies and tyrannies. Desire for a Savior to rescue you from the evil. Good intentions paving the road to hell. It all leads to terrifying places which we may be powerless to stop. He maintains the level of individuals. Too few individuals, and a people reverts to a mob. The book ends in an ambiguous place, and I presume the sequels may develop the theme or run away from it and make this a more traditional hero journey.

But I certainly hope not. Because the dark implications of messianism say more about human nature than the happier stories based on the same idea, but with more idealism. Friends become followers and worshippers, and the metaphorical slope becomes quite slippery. But Paul, seeing the clouded future that still hung over them, found himself swayed by anger. He could only say: "Religion unifies our forces. It's our mystique. They were all caught up in the need of their race to renew its scattered inheritance, to cross and mingle and infuse their bloodlines in a great new pooling of genes.

And the race knew only one sure way for this—the ancient way, the tried and certain way that rolled over everything in its path: jihad. A galactic scale slaughter led by fanatics in his name. And there is not a way to escape it, once your life fits the mysticism of their faith even if the faith and prophecies were stealthily prereplanted for sort of a similar purpose.

Religious fanatics are destined to wage a brutal war that the Messiah is unable to stop. You are always a little less than an individual. But is any of it actually worth it? But that would be Star Wars and not Dune. There is no measuring Muad'Dib's motives by ordinary standards. In the moment of his triumph, he saw the death prepared for him, yet he accepted the treachery. Can you say he did this out of a sense of justice? Whose justice, then?

Remember, we speak now of the Muad'Dib who ordered battle drums made from his enemies' skins, the Muad'Dib who denied the conventions of his ducal past with a wave of the hand, saying merely: "I am the Kwisatz Haderach.

That is reason enough. The world is harsh, unforgiving, brutal, hostile. The characters - well, mostly Paul, but to an extent his mother Jessica as well - are cold, calculating, composed and often very unsympathetic. Don't put your trust in revolutions. They always come around again. That's why they're called revolutions. All while sandworms quietly slither under the sand.

Dune is often considered a masterpiece of 20th-century American science fiction. In part, the book owes its reputation to the film adaptation David Lynch directed in the early s although this movie was, and still is, not considered one of his best. Frank Herbert wrote a novel of epic proportions, in other words, a space opera , with its intergalactic feudal society, its decadent if not evil empire and its band of rebels: the book was published some ten years before the first instalment of Dune is often considered a masterpiece of 20th-century American science fiction.

Frank Herbert wrote a novel of epic proportions, in other words, a space opera , with its intergalactic feudal society, its decadent if not evil empire and its band of rebels: the book was published some ten years before the first instalment of the Star Wars series. Each house Atreides, Harkonnen, etc. For each of these cultures, Herbert borrowed traits from traditions ancient or contemporary he knew well in reality, especially from the Middle East. Lawrence and the Arab revolt against the Ottoman Empire.

Herbert describes his fictional world and characters in great detail, which contributes to the richness of his narrative, but I found these descriptions somewhat boring and, especially, the middle of the book is a bit dragging for that reason.

In my view, the most impressive parts of this novel are the dialogues, where Herbert simultaneously reveals what the characters are saying and thinking. This technique lends a sense of duplicity and scheming to almost every interaction. Everyone is plotting one way or another so that the whole thing ends up being like a great Shakespearean play, with dialogues and asides, tyrants and pretenders.

What confirms this impression is not only the theme of the exiled Duke see As You Like It , King Lear , or The Tempest , but also the repeated scenes of fencing duels throughout, with feints and poisoned tips: a clear allusion to the endings of Hamlet and Macbeth , for instance.

The settings filmed in Scandinavia and the Middle East are breathtaking, and the actors have so much going for them. But what strikes me the most in this new version is the sense that everything is overwhelming and sublime: the massive architecture, the crushing machines, the extreme weather conditions, the earth-shattering landscapes, the thunderous music, the tragic events, the repulsive foes. From the relenting waves of Caladan to the searing and unending skies of Arrakis, everything assumes an oceanic and staggering dimension.

View all 27 comments. Oct 03, carol. Shelves: hugo , classic , awards , nebula , sci-fi. I blame the movie. I never did pick up the classic sci-fi book, assuming the commentary heard abou I blame the movie. I never did pick up the classic sci-fi book, assuming the commentary heard about the movie applied to the book.

All that changed when I broke my finger and found myself with a lot of extra time on my hands groan. Besides, sandworms. It begins with the Atreides family preparing to shift their holding from their current home to the planet of Arrakis. The Emperor has given the Atreides the territory and trade on the planet of Arrakis, formerly under control of their enemies, the Harkonnen.

The planet Arrakis is hot, arid and generally hostile to life. There is, however, a small population of native, fierce Freman who have managed to build an existence in the desert. Paul Atreides is the young heir of the family, and mystical testing reveals he might be the one prophesied.

Paul undergroes a rapid growth curve, facilitated by his teacher Dr. But it is in the desert that Paul will discover his strength as well as his new people. Seriously, now. Honestly, I have to wonder how much of this like is generational. If Sanderson or Rothfuss wrote this book, two chapters in Dune would have made a whole book, and while detail may have been added, it likely would have made for a book as slow as the movie. I liked the scope of Dune, and that there is a resolution to the initial conflict.

On the downside, it could have perhaps used a bit more transitions, particularly near the end when months at a time are skipped. Writing was solid; nothing really stood out, but it told the story well. And gay? World-building is fun, but standard desert. I love a good hero. I also went back to watch the original cult feature film by David Lynch and had quite mixed feelings - while it was close to the overall aesthetic that Frank Herbert describes with the gorgeous desert sets and the terrifying worms, the parts of the story that were necessarily culled out was disturbing that and the woeful special effects at the time trying and IMHO failing to visualize the personal shields t [UPDATED] I reread Dune for the first time in several decades and immensely enjoyed it.

I also went back to watch the original cult feature film by David Lynch and had quite mixed feelings - while it was close to the overall aesthetic that Frank Herbert describes with the gorgeous desert sets and the terrifying worms, the parts of the story that were necessarily culled out was disturbing that and the woeful special effects at the time trying and IMHO failing to visualize the personal shields that the characters wear in hand-to-hand combat.

This drug is so powerful that it allows the Guild and later Maud'dib to leverage space-time singularities to defy the speed of light and travel anywhere in the universe. Overlaid on this foundation, the epic battle of the feudal houses of the noble Atreides and the evil Harkkonen houses rages, the betrayal of the former by the latter explicitly endorsed by the Emperor himself an almost impuissant pawn of the Guild as well.

All that to say that the fabric of the story is multilayered and as complex and complete a universe as you will find in George RR Martin or Dan Simmons. There are several enhanced human species running around: the Mentats who have been cerebrally enhanced to be able to calculate like supercomputers computers themselves having been banned! Paul Atreides, heir to the throne, is born to Jessica, a Bene Gesserit, possessed some of these powers and when the family moves to Arrakis part of the aforementioned Harkkonen plot from their home planet Caladon, he appears to the native Freeman population as perhaps a fulfillment of their messianic prophecies and hopes.

In perhaps the most critical departure from the book, the Lynch movie does not really show Paul questioning the awesome power that he possesses and his assumption of the mantle as the Arrakis Messiah, the Maud'dib something that the film by Denis Villeneuve does thankfully address.

In the book, one aspect that I loved was how Paul struggled with this messianic destiny and did everything he could to subvert it. One of the unique gifts he received, presumably as the rare and unique offspring of a Bene Gesserit, was the ability to see possible outcomes like a Mentat and thus he could take decisions based on the most likely foreseen outcome. It made for great reading. The other great thing about Dune is the aesthetic of this desert planet with impossibly huge worms under the surface who are mysteriously connected to spice and pose a danger to all creatures in the desert except for the Freeman.

The still suit which recycles body water in the deep desert was brilliant as was the ever-present obsession with "water debt" of the Freemen. I really felt like I was walking unevenly must not attract the worms! Dune is a well-deserved classic for all the reasons I mentioned above and probably much more that I missed. I have read it twice and gotten almost entirely different things out of it each time. I have since read all the canonical Frank Herbert books in the series and enjoyed it all immensely.

The previews I have seen so far seem to be quite coherent with respect to the book. I was a fan of Lynch's Dune and am curious to see what Villeneuve does with this one. Feel free to comment below. The casting, costumes, CGI, and script are all top-notch. Dune lovers have every reason here for rejoicing.

One key difference from the Lynch film is that we do not see the Guild Navigators, so we can hope that they show up in the second half! View all 69 comments. Just wanted to say how much I loved the movie.

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